{"id":1737,"date":"2019-09-18T14:38:50","date_gmt":"2019-09-18T07:38:50","guid":{"rendered":"https:\/\/rachelgallery.com\/stage\/?page_id=1737"},"modified":"2019-09-19T15:01:38","modified_gmt":"2019-09-19T08:01:38","slug":"journal","status":"publish","type":"page","link":"https:\/\/positifkreatif.id\/rachelgallery\/journal\/","title":{"rendered":"JOURNAL"},"content":{"rendered":"

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\"In<\/span><\/span><\/a><\/div>\n <\/span><\/span><\/a> <\/div>\n
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In The World Full of Art and Fashion: Can One Truly Exist Without the Other?<\/a><\/h3> <\/div>
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In The World Full of Art and Fashion: Can One…<\/p> <\/div>\n

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\"DREAM<\/span><\/span><\/a><\/div>\n <\/span><\/span><\/a> <\/div>\n
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DREAM WEAVER<\/a><\/h3> <\/div>
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\"WIDI<\/span><\/span><\/a><\/div>\n <\/span><\/span><\/a> <\/div>\n
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WIDI WARDANI’S WORK IN ARTOTEL<\/a><\/h3> <\/div>
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\"TEMPA’S<\/span><\/span><\/a><\/div>\n <\/span><\/span><\/a> <\/div>\n
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TEMPA’S RESIDENCY IN NUANU CITY, BALI, INDONESIA<\/a><\/h3> <\/div>
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\"RISALAH\"<\/span><\/span><\/a><\/div>\n <\/span><\/span><\/a> <\/div>\n
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RISALAH<\/a><\/h3> <\/div>
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\"BOU\u200bNDLESS<\/span><\/span><\/a><\/div>\n <\/span><\/span><\/a> <\/div>\n
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BOU\u200bNDLESS EXPRESSIONS: EXPLORING ‘BEYOND YOUTH II: PERSEVERANCE’<\/a><\/h3> <\/div>
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\"EVOKING<\/span><\/span><\/a><\/div>\n <\/span><\/span><\/a> <\/div>\n
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EVOKING EMOTIONS IN HUE: GULA’S JOURNEY FROM STREET ART TO THE BLUE ROOM<\/a><\/h3> <\/div>
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\"BEYOND<\/span><\/span><\/a><\/div>\n <\/span><\/span><\/a> <\/div>\n
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BEYOND IMAGES: ANDY DEWANTORO’S PHOTOGRAPHY AS PROFOUND COMMUNICATION<\/a><\/h3> <\/div>
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\"HIGHLIGTHING<\/span><\/span><\/a><\/div>\n <\/span><\/span><\/a> <\/div>\n
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HIGHLIGTHING ENVIROMENTAL ISSUES TILL HUMAN EXISTENCE THROUGH MOCKERY<\/a><\/h3> <\/div>
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\"MOCKERY\"<\/span><\/span><\/a><\/div>\n <\/span><\/span><\/a> <\/div>\n
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MOCKERY<\/a><\/h3> <\/div>
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[vc_gallery interval=\"15\" images=\"3376,3375\" css_animation=\"fadeIn\" el_class=\"Handiwirman Saputra, Menahan Letakan Di Bawah Sangkutan (Holding…<\/p> <\/div>\n

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\"JAKARTA<\/span><\/span><\/a><\/div>\n <\/span><\/span><\/a> <\/div>\n
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JAKARTA BIENALLE 2021: ESOK (TOMORROW) Part 2<\/a><\/h3> <\/div>
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\"JAKARTA<\/span><\/span><\/a><\/div>\n <\/span><\/span><\/a> <\/div>\n
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JAKARTA BIENALLE 2021: ESOK Part 1<\/a><\/h3> <\/div>
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\"RITA<\/span><\/span><\/a><\/div>\n <\/span><\/span><\/a> <\/div>\n
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RITA WIDAGDO, TIMELESS ARTIST<\/a><\/h3> <\/div>
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[vc_gallery interval=\"15\" images=\"3223,3225,3224\" css_animation=\"fadeIn\" el_class=\"Handiwirman Saputra, Menahan Letakan Di Bawah Sangkutan (Holding…<\/p> <\/div>\n

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\"WHAT<\/span><\/span><\/a><\/div>\n <\/span><\/span><\/a> <\/div>\n
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WHAT IS INDONESIAN ART, REALLY?<\/a><\/h3> <\/div>
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[vc_gallery interval=\"15\" images=\"3190,3206\" css_animation=\"fadeIn\" el_class=\"Handiwirman Saputra, Menahan Letakan Di Bawah Sangkutan (Holding…<\/p> <\/div>\n

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\"TRIYADI<\/span><\/span><\/a><\/div>\n <\/span><\/span><\/a> <\/div>\n
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TRIYADI GUNTUR TO UNITE CONFLICTING ELEMENTS IN SOLO EXHIBITION, AN ADVENTURE IN MONODUALISM<\/a><\/h3> <\/div>
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[vc_column width=\"1\/2\"]TRIYADI GUNTUR TO UNITE CONFLICTING ELEMENTS IN SOLO EXHIBITION,…<\/p> <\/div>\n

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\"ARGYA<\/span><\/span><\/a><\/div>\n <\/span><\/span><\/a> <\/div>\n
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ARGYA DHYAKSA’S ART EXHIBITION, ON ACCEPTING IMPERFECTION<\/a><\/h3> <\/div>
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[vc_column width=\"1\/2\"]ARGYA DHYAKSA'S ART EXHIBITION, ON ACCEPTING IMPERFECTION Clara Indonesia…<\/p> <\/div>\n

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